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Quercus: So many people have an idea for a book rattling around in their head. How did you finally sit down and do it?
Nell was not a part of my messy, bulging file of ideas, story fragments, sketches and little book dummies. She simply popped into my studio one summer afternoon, knitting needles and dog in tow.
I had been gazing out the window at my desk trying to think of something to paint. I wanted simply to paint, to feel the wet brush against the paper with no agendajust for the fun of it. And there she was. And she was fun. Goodness ... she could even walk her dog while knitting! Then I painted a second image of her with her three friends at the park. Within a few hours, I’d sketched a nine-illustration panel and added the text, “This is Nell. She knits a lot.” (The name Nell came easily. Not only is it pleasingly alliterative, but I think subconsciously I liked that the lowercase Ls look like knitting needles.)
Quercus: Did the visual image of Nell come easily, or were there many versions before you created the one you used in Knitting Nell?
In the book Knitting Nell, (visit Julie's website to see more of the book) the first image I painted is pretty much the cover of the book (Nell is smiling more now; she likes the spotlight, I guess). The nine-illustration panel and text is now the first page of the book and the friends at the park now appear everywhere throughout the book’s pages.
Quercus: You used watercolor to create the illustrations in Knitting Nell. Is this a favorite medium? What appealed to you about watercolor for this particular project?
Yes, watercolor is a favorite medium. Though I love different aspects of other media, watercolor seemed the appropriate choice for a story that starts out in the summertime. Everything stays lighter and brighter more easily with watercolor. In Knitting Nell, I also used gouache, gesso, and bits of colored pencil and black ink in the artwork.
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